UNTITLED (2018)
Untitled explores themes of conflict and intoxication through a deliberately chaotic visual language. Combining linocut and monoprint techniques, the work begins with
deceptively simple scenes that are then disrupted by wild, uncontrolled applications of color, splatters, and lines. This intentional disorder amplifies the literal meaning of the scenes, using
formal methods to mirror the emotional and physical disarray they depict.
The printing plates themselves evolve into a parallel series, where the linoleum cutouts take on layered, symbolic meanings — transcending their role as mere
technical tools and becoming integral elements of the narrative.
Print